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A mosaic from late Roman Britain shows a procession emerging from the mouth of the sea god Neptune, first dolphins and then sea birds, ascending to Cupid.

Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy.

During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire.

The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.

This last Cupid was the equivalent of Anteros, "Counter-Love," one of the Erotes, the gods who embody aspects of love.

In myths, Cupid is a minor character who serves mostly to set the plot in motion.

He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love.

Cupid carries two kinds of arrows, one with a sharp golden point, and the other with a blunt tip of lead.